Showing posts with label evenings. Show all posts
Showing posts with label evenings. Show all posts

Friday, August 26, 2011

Ren Trailer



Cremaster fanatic Mark sent us a link to composer (and frequent Matthew Barney collaborator) Jonathan Bepler's web site, which features a short trailer for Barney's Ren - the first installment in his multi-part opera Ancient Evenings. Click here to watch the trailer.

Matthew Barney's Djed exhibition, featuring sculpture and drawings related to Ancient Evenings, opens at Gladstone Gallery in New York on September 17.

Tuesday, August 23, 2011

Djed to be Anchored by 25-ton Iron Sculpture




Gladstone Gallery has issued a press release for Matthew Barney's Djed exhibition, opening September 17. The show will consist of drawings and three monumental sculptures made from iron, bronze, lead and copper. The artwork relates to Ancient Evenings, Barney's multi-part site-specific opera based on a Norman Mailer book about a man's journey through the seven stages of the ancient Egyptian afterlife. The exhibition's centerpiece will be a massive sculpture cast from 25 tons of iron during Barney's Khu performance in Detroit last year. This sculpture is based on the undercarriage of a Chrysler Imperial that has been modified to resemble a djed (a pillar-like hieroglyph representing the Egyptian god Osiris' power). First appearing in Cremaster 3, the 1967 Chrysler Imperial is a central element in Barney's Ancient Evenings that is often interpreted as a stand-in for Barney (who was born in 1967). The exhibition continues through October 22.

Wednesday, February 2, 2011

Matthew Barney Performances in New York City?


In a recent article, 032c magazine reports that the next segments of Matthew Barney's Ancient Evenings series will be performed in New York City. "After the upcoming Detroit KHU premiere, Barney plans on doing a series of performances in New York City that would encompass the next few of acts of the opera, bringing his latest project back to his old creative stomping grounds." We'll keep you posted as we receive more information!

Monday, October 4, 2010

Matthew Barney Performs "Khu" in Detroit





Matthew Barney performed his latest work, Khu, in Detroit last Saturday. The performance was filmed and will be integrated with previously-shot footage to become a new installment in Barney's Ancient Evenings series. Although the six-hour performance and film shoot on the Detroit and Red Rivers was marred by rain and icy temperatures (which caused a problem with some special effects during the final scene), the performance appears to have been quite a spectacle. James Franco, Bjork, Barbara Gladstone, and Sadie Coles were among the attendees.

The Detroit Free Press (misspelling the title as "Kuh") reports on the performance:

"A team of FBI homicide investigators discovered the remains of a murder victim in a body bag, in this case, a 1967 Chrysler Crown Imperial. An industrial crane lifted it from the river and deposited it on deck. Four zippy red towboats circled the barge, each carrying a group of saxophonists and a percussionist who played tolling, foghorn and call-and-response figures.

Female officers, who sang chant-like melodies, unwrapped the car. The lead detective recoiled at the mangled horror. The engine was removed, and someone put live snakes into it. The detective dropped her pants, rubbed mud on her thighs and sat on the engine block....

We were bused to the River Rouge complex and deposited at a glue factory, where workers built gorgeous silver viols played by some 15 musicians as Belita Woods sang a lovely, spiritual-like aria that set the scene. Then it was on to the 185-foot barge for a journey down the Rouge and Detroit rivers. Essentially, we were in the midst of a murder caper filtered through the myth of Osiris and Isis, with the fallen Chrysler as Osiris, god of the underworld....

The final tableau, a shoreline factory in Trenton with rusty silos as tall as skyscrapers and furnaces spouting fire, was a stunning sight against the ominous sky. Musicians flanked the end zones of the scene, workers stoked the blazes, and figures in top hats perched at the top of the silos, held in place by harnesses. Sundry weirdness ensued, before molten iron finally came pouring out of the furnaces and golden filigree streamed down the silos. The furnaces were supposed to all burst at once, but the weather contributed to some technical snafus and the lava staggered out in shifts."

More information (including a list of the cast: Aimee Mullins, Eugene Perry, Herbert Perry, Jennie Knaggs, Faruq Z. Bey and Belita Woods) and photos of the performance have been posted on the Lipstick Tracez blog.

Saturday, June 13, 2009

Ancient Evenings: Libretto Exhibition Photos





Gladstone Gallery has published some images from Matthew Barney's Ancient Evenings: Libretto exhibition, which recently closed at their Brussels gallery. The exhibition included drawings and photographs related to the first two acts (titled "Ren" and "Sekhem") of Barney's Ancient Evenings - a seven act opera loosely based on Norman Mailer's 1983 Egyptian-set novel of the same name - and seven copies of Mailer's novel, each altered by Barney and sealed inside a vitrine. You can see more images HERE

Thursday, February 19, 2009

Matthew Barney Exhibition in Brussels Opening March 19


The Brussels branch of Gladstone Gallery (Rue du Grand Cerf 12 Grote Hertstraat - 1000 Brussels) is hosting an exhibition of new drawings by Matthew Barney called Ancient Evenings: Libretto from March 20 - May 9. There will be an opening reception from 6-9 on March 19.

From the press release:

"Gladstone Gallery is pleased to announce an exhibition of new drawings by Matthew Barney from Ancient Evenings, a seven act opera loosely based on Norman Mailer's 1983 Egyptian-set novel and currently in development by Barney and composer Jonathan Bepler.

Each act of the opera chronicles one of the seven stages that the soul passes through after the death of the body. Remaining true to the original theme of rebirth and reincarnation, Ancient Evenings recasts the central myth of Isis and Osiris in a contemporary industrial landscape. Barney has replaced the human body with the body of the 1967 Chrysler Imperial that was the central motif from his earlier film Cremaster 3. This exhibition will include drawings that explore the character and thematic development of the first two acts, entitled "Ren" and "Sekhem." Obsessively drawn, Barney's graphite drawings map the conceptual depths of each project rather than presenting storyboard-like narratives. Barney evokes his beautifully rendered imagery with the addition of non-traditional materials such as petroleum jelly and metal leaf, in addition to lapis dust and PCL, a plastic derived from crude oil. Alongside these drawings, Barney has taken seven copies of Mailer's novel to create unique sculptures inside wall-mounted vitrines. Each piece contains one copy resting upon a bed of carved salt and opened to a spread that bears a drawing pertaining to one of the seven stages of the soul. In co-mingling Barney's draftsmanship with passages that comprise the opera's libretto, each book represents a different aspect of Barney's new interpretation of Mailer's novel."

Interestingly, the press release also notes that Acts 2-4 of Ancient Evenings (Act 1 is Ren, performed in Los Angeles last May) are currently in production for summer 2009.